— George Lois
I like taking the brief apart and putting ideas together from its pieces. Then I fight for them, through strategy, language, craft, and every approval process in between.
IKEA. Google. Biozyme. Royal Salute. Jameson. Unilever. P&G. Across agencies and in-house. Mumbai to Malmö. 10+ years, 20+ brands.
Life is like the second-hand section at an IKEA store; you never know what you will get. The only guarantee though, you will always be surprised by the price, and maybe your favourite IKEA product too. Made for 31 markets, based on one true customer experience.

4% of the world's second-hand furniture is from IKEA. Not because of one big moment, but because every single day, in every market we operate in, we open our doors and buy our furniture back. No questions, no hassle, just a promise kept. The brief was simple: make sure everyone knows the door is always open.

IKEA basically invented DIY. But it was 2025, and not everyone wanted to do it themselves anymore. So instead of losing those customers to someone else, we brought the professionals in. Four films, three markets, one simple truth: sometimes you just need a little help. Now rolling out globally through 2026 to 2028.

IKEA has always stood for inclusion, long before it was a talking point. This film was a chance to say that again, louder, at a time when it needed saying. A cast as diverse as the world IKEA serves, a narrative that didn't preach, and an idea that took a year to get approved. Worth every meeting.

Moving homes is stressful enough. We took the hard parts off the list, so you can get to the best part of creating your new home. Four films, piloted in the UK market in 2024.

Farmers don't have the luxury of a bad year. One ill-timed rainy day can undo months of backbreaking labour, talking to them must come from a place of humility, honesty, and a shared truth: "to grow is life." Fifteen days of non-stop shooting across the fields of India, in all weather, sleeping in cars and fending off blood-sucking leeches. This film was backbreaking, but it was a labour of love and a deep respect for the people who feed us. Our audience loved cinema, and that's what we set out to create.

From educating people on how to search, how to get financial advice, and how to put their business on the map, to launching Google Assistant in India. One big brand, many approval processes, and 6 films that kept Indian insights front and centre.

"I'm not a copywriter who occasionally thinks about strategy. I'm a creative thinker who happens to be lethal with language."
Over ten years across Mumbai agency floors, global in-house teams, and a one-person studio in Malmö — the range is deliberate. Agency discipline. Client-side accountability. Independent freedom.
I've written for audiences from UHNW whisky collectors to first-time digital banking users, across luxury goods, fast food, finance, tech, and beauty. Start with a true human insight. Find the surprising angle. Execute with craft.
I work at the intersection of strategy, language, and cultural fluency. Based in Malmö. Open to Europe and beyond.
Senior creative roles, freelance projects, consulting retainers. For the brief that actually needs thinking — not just execution.
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